All Leads
Ken Capelli
Art Direction

Ken Capelli

Visual direction and creative leadership, from concept to ship.


Experience
32+ years
Location
San Francisco Bay Area
Remote
Worldwide · Timezone flexible
Availability
Contract · Part-time · Interim

What I Bring

Senior art director with 30+ shipped titles across console, PC, mobile, and web — from scrappy startups to studios backed by Netflix, Disney, and Microsoft. I’ve built art teams from the ground up, directed across disciplines, and partnered with co-dev and outsourcing teams worldwide.

I work best where visual direction, team structure, and art production systems are still taking shape — and need clarity, alignment, and momentum. Here's where I tend to show up:

  • You need a visual identity for something that doesn't exist yet
    Early-stage studios, pitches that need a visual voice, prototype-to-production transitions – I define visual identity from conception, build alignment, and create the docs and refs teams use to execute consistently without me in every room.
  • You're scaling and need art production infrastructure behind the creative
    Art pipelines, review processes, team structure, co-dev integration, outsourcing strategy — I've built all of it in environments that had none, and rebuilt it in environments where the existing systems weren't working. Capable across 2D, 3D, UI/UX, character, environment, cinematic, and avatar pipelines.
  • You need full-stack art leadership, not just oversight
    I direct across disciplines from concept to gold and contribute hands-on when the work calls for it — in-engine, side by side with the team. Engineer-friendly. Stakeholder-savvy. I've led art orgs up to 35 artists and built craft-focused cultures where leads grow and artists ship work they're proud of.
  • You have a team that knows what good looks like but needs guidance
    I mentor artists and leads 1-on-1 to build confident decision-making, mature judgment, and collaborative instincts that compound over a project — with an eye toward career-length capability that outlasts my engagement.
  • You're working with IP and need someone who understands its weight
    Star Wars, Lord of the Rings, Game of Thrones, X-Files, Titanic, Warhammer — I've directed art on major licenses and know how to translate complex source material into cohesive, character-driven visual styles without losing what makes the IP matter to players.
Star Wars
Game of Thrones
Lord of the Rings
The Hobbit
The Hunger Games
The Godfather
The Sims 3
Warhammer: Age of Sigmar
The X-Files
Titanic
Conan

Experience

Leadership across AAA, mobile, live-service, licensed IP, co-development, and startup production environments — spanning art direction, visual development, UI/UX, and team leadership across console, PC, web, handheld, and mobile.

Select Studios & Publishers
Netflix Games
Gallium Studios
WB Games
Disney
EA
Fogbank Entertainment
FoxNext Games
Redemption Games
Kabam
LucasArts
Microsoft Game Studios
SEGA
THQ
Planet Moon Studios
Crystal Dynamics
Platforms & Engines
Unreal Engine
Unity
PlayStation
Xbox
PC
iOS
Android
Explore full career history, credits, and portfolio at:
kencapelli.com

What People Say

Ken draws from an astounding well of reference, inspiration, and experiences that was well beyond other Art Directors that I have worked with in my career. He excels at setting up the initial guidelines for projects at early stages, which guides the team all the way through to launch. I also always appreciated Ken's candor, transparency, and willingness to work on team issues with me as a production partner, as well as his ability to empower his leads through ownership and trust. He was constantly a source of guidance, confidentiality, and safe spaces to brainstorm on solutions together. Ken has stunning adaptability and an eye for process that benefits his teams greatly, especially in early stage products, start-up companies, and newly formed teams.
Kristen Halloran
Senior Production Partner
Ken was the Lead Artist and then Art Director at Planet Moon, presiding over its expansion from a 10-person studio to a studio with dozens of artists. He built a world class art team AND a world class outsourcing operation, and then had the calm temperament and the skill to run them both, simultaneously. Ken is superbly organized. He is particularly gifted with clients and service providers, explaining plans to clients in a way that lets them into the process and detailing his needs for service providers in a way that guarantees the best results.
Aaron Loeb
Head of LEGO Digital Play
I worked with Ken on English versions of multiple Asian games, ranging from straightforward translations to full-scale reskins with new art and story requirements. Ken has built a great team within Kabam, able to turn projects around quickly and with minimal fuss, and pioneered a number of techniques to make the process even quicker and more painless. He is one of my favorite team leaders to work with.
Graeme Davis
Senior Narrative Designer & Game IP Consultant
First off, Ken doesn't need my recommendation, go look at his resume and you'll see why. I'm giving it anyways because he is the most well rounded art director I've ever worked with. The best proof of his artistic style is that over the course of a year, we never received a negative piece of feedback about the look of our game (Hobbit: Armies of the Third Age) from the Hobbit License holders or the Peter Jackson group. To the contrary, we had the studio asking us to use some of our art. On top of his amazing artistic talent, Ken is also secretly a great project manager – he was always on top of the art schedule in a way I've never experienced with an Art Director, all while juggling assets for the two Hobbit games Kabam produced.
Eric Leive
Director of Production, Turtle Rock Studios
I have known Ken for years, and in that time he has become a sound colleague and good friend. As a colleague, I appreciate his capabilities as a developer as well as a leader. He is an astute Director with a knack for understanding a client's needs while keeping a stern and steady eye on production for quality, consistency, timeliness, and feasability. This allows him to disect any project into requirements hi and low in level, and realize value or mitigate issues early on. He also realizes the value of delegation, and deferring to areas of specialty, and utilizes this magnanimously to foster innovation and inspiration within the team and individual. My favorite strength of his as a person is his ability to foster leadership in those working under and with him – not just leading people, but teaching them how to lead and ultimately grow in value to themselves, their team, and company.
Kevin Wright
Studio Head, Limited Slip Studios

Get in touch

Short conversations are welcome. No decks required.